The
Raag
The raag is the most important concept within Indian
Music. The Hindi/Urdu word raag is derived from the Sanskrit
word raga which means 'colour' or 'passion', and may
therefore be thought of as an acoustic method of colouring the
listener's mind with an emotion.
Simply defined, each raag is a set of principles which
leads to one type of melodic organisation of a scale. A raag
is a system or melodic framework which can produce an unlimited
number of melodies and, if performed correctly, the melodies
and phrases set to one raag will all have a striking
resemblance to each other in the general melodic effects it
produces. Each raag over time has attained a sharp personality
and has a mood, atmosphere and character, which is determined
by the constant use of certain notes. The result is a melodic
structure which is easily recognisable, yet infinitely variable.
No two performances of the same raag, even two performances
by the same musician, will be identical. The objective of any
artist is to capture that essential personality and flavour.
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The
Thaat
The thaat is the modal structure that the each raag
belongs to. There are 10 thaats in North Indian Music which
are :
Bilawal, Kalyan, Khammaj. Kafi, Bhairav, Purbi, Bhairavi, Asavari,
Marwa and Todi.
In Carnatic Music the modal structure is called mela.
Indian
notation
Indian classical music notation is similar to the tonic sol-fa
notation, for example the tonic of any major scale is Doh, followed
by Ray, Me, Fah, Soh and so forth.
Tonic Sol-fa : Doh Ray
Me Fah Soh La Te Doh
Indian notation : Sa Re Ga Ma
Pa Dha Ni Sa

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